• 电影肉体的代价

    出演:安吉拉·温科勒 马里奥·阿多夫 迪特尔·莱瑟 尤尔根·普洛斯诺 海因茨·贝能特 汉娜洛蕾·赫格 Rolf Becker Harald Kuhlmann 赫伯特·福克斯 Regine Lutz Werner Eichhorn 卡尔·海因茨·福斯格劳 Angelika Hillebrecht Horatius Häberle Henry van Lyck Achim Strietzel 玛加蕾特·冯·特罗塔 

    导演:沃尔克·施隆多夫 玛加蕾特·冯·特罗塔 

    情节:  年轻美丽的西德女孩卡塔琳娜•布鲁姆(Angela Winkler 饰)有段失败的婚姻,她偶然在亲戚家的晚会上邂逅英军男子路德维希•戈顿(Jürgen Prochnow 饰),两人一见钟情,并共度浪漫的一夜。然第二天一早,军警破门而入,四处搜查,戈顿已不见踪影。原来戈顿系警方通缉的抢劫犯,卡塔琳娜被作为同犯逮捕。  警方的搜捕轰动一时,《图片报》记者托特盖斯(Dieter Laser 饰)四处打探消息,搜集卡塔琳娜的隐私。他将搜集到的素材提供给警长拜茨迈纳(Mario Adorf 饰),警长再将这些作为证据,对卡塔琳娜进行严刑拷问。原本生活平静的卡塔琳娜一瞬间跌至谷底……  本片改编德国著名作家,诺贝尔文学奖获得者海因里希•伯尔的同名小说。

  • 电影阶级关系

    出演:Christian Heinisch Nazzareno Bianconi 马里奥·阿多夫 劳拉·贝蒂 哈伦·法罗基 

    导演:达尼埃尔·于伊耶 让-马里·斯特劳布 

    情节:  改编自卡夫卡未完成的长篇小说《美国》,但其关注的并非真实的美国,更像是没有详细年代的关于美国的寓言。卡尔•罗斯曼由于丑闻而接受其舅舅的邀请搬去美国,然而他无法摆脱欧洲大陆旧式习惯,更糟的是,欧洲的阶级结构无法让他通过自己的双手谋生。这一电影版关注资本主义社会创造的残酷而变幻莫测的阶级关系。同时忠于原著而未添加影片的结局。施特劳布夫妇风格的一贯操作与卡夫卡氛围的完美结合:中景固定机位,面无表情的演员,人物肢体和语言刻意僵硬,强调侧面特写,镜头推进及平移刻意突兀。由此我们可以寻求到改编卡夫卡作品的带实验性的可能。

  • 1.0

    电影知己知彼

    出演:斯特法尼娅·桑德雷莉 马里奥·阿多夫 让-克洛德·布里亚利 约阿希姆·富克斯贝格 尼诺·曼弗雷迪 恩里科·玛丽亚·萨莱诺 乌戈·托尼亚齐 卡琳·多 佛朗哥·法布里齐 图里·费罗 罗伯特·霍夫曼 弗兰科·内罗 维罗尼卡·旺代勒 Franca Polesello 雷纳托·泰拉 

    导演:安东尼奥·彼得兰杰利 

    情节:  imdb  Plot summary  Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints: she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love: his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…

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